Perfect Friday (1970)

£0.00


Country: GB
Technical: col 95m
Director: Peter Hall
Cast: Stanley Baker, Ursula Andress, David Warner

Synopsis:

A bank manager colludes with bank robbers to pull off a heist.

Review:

Entertaining enough in its latter stages, this dated caper takes a while to get going as it charts la Andress's attempts to seduce Baker's unconvincingly pinstriped city gent. Which affords us numerous glimpses of her naked form (fair enough, but mostly back views unfortunately - for her bottom by this stage of her career does her little credit) and Peter Hall dazzles us with ostentatious angles and cutting, doubtless in an attempt to shake off his theatrical associations. Warner is no less, if more effectively, flamboyant.

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Country: GB
Technical: col 95m
Director: Peter Hall
Cast: Stanley Baker, Ursula Andress, David Warner

Synopsis:

A bank manager colludes with bank robbers to pull off a heist.

Review:

Entertaining enough in its latter stages, this dated caper takes a while to get going as it charts la Andress's attempts to seduce Baker's unconvincingly pinstriped city gent. Which affords us numerous glimpses of her naked form (fair enough, but mostly back views unfortunately - for her bottom by this stage of her career does her little credit) and Peter Hall dazzles us with ostentatious angles and cutting, doubtless in an attempt to shake off his theatrical associations. Warner is no less, if more effectively, flamboyant.


Country: GB
Technical: col 95m
Director: Peter Hall
Cast: Stanley Baker, Ursula Andress, David Warner

Synopsis:

A bank manager colludes with bank robbers to pull off a heist.

Review:

Entertaining enough in its latter stages, this dated caper takes a while to get going as it charts la Andress's attempts to seduce Baker's unconvincingly pinstriped city gent. Which affords us numerous glimpses of her naked form (fair enough, but mostly back views unfortunately - for her bottom by this stage of her career does her little credit) and Peter Hall dazzles us with ostentatious angles and cutting, doubtless in an attempt to shake off his theatrical associations. Warner is no less, if more effectively, flamboyant.