The Cuckoo (2002)

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Country: RUS
Technical: col 103m
Director: Aleksandr Rogozhkin
Cast: Ville Haapasalo, Viktor Bychkov, Anni-Kristina Juuso

Synopsis:

Two men on opposing sides, a Finnish sniper and Russian lieutenant, both themselves fall guys for their own armies, are taken in and saved from death by a beautiful Lapp homesteader scratching a living on the shores of a lake.

Review:

Deliciously ironic by virtue of its threeway linguistic incomprehension, this frequently wordless film achieves passages of astonishing clarity, beauty and mythology, with the cinematography capturing a certain chill, metalic hue in the weak light of the northern latitudes. Possible dangers of schematicism (cf. Genesis, Hell in the Pacific) are allayed by frequent humour.

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Country: RUS
Technical: col 103m
Director: Aleksandr Rogozhkin
Cast: Ville Haapasalo, Viktor Bychkov, Anni-Kristina Juuso

Synopsis:

Two men on opposing sides, a Finnish sniper and Russian lieutenant, both themselves fall guys for their own armies, are taken in and saved from death by a beautiful Lapp homesteader scratching a living on the shores of a lake.

Review:

Deliciously ironic by virtue of its threeway linguistic incomprehension, this frequently wordless film achieves passages of astonishing clarity, beauty and mythology, with the cinematography capturing a certain chill, metalic hue in the weak light of the northern latitudes. Possible dangers of schematicism (cf. Genesis, Hell in the Pacific) are allayed by frequent humour.


Country: RUS
Technical: col 103m
Director: Aleksandr Rogozhkin
Cast: Ville Haapasalo, Viktor Bychkov, Anni-Kristina Juuso

Synopsis:

Two men on opposing sides, a Finnish sniper and Russian lieutenant, both themselves fall guys for their own armies, are taken in and saved from death by a beautiful Lapp homesteader scratching a living on the shores of a lake.

Review:

Deliciously ironic by virtue of its threeway linguistic incomprehension, this frequently wordless film achieves passages of astonishing clarity, beauty and mythology, with the cinematography capturing a certain chill, metalic hue in the weak light of the northern latitudes. Possible dangers of schematicism (cf. Genesis, Hell in the Pacific) are allayed by frequent humour.