Checkpoint (1971)
(Proverka na dorogakh/Trial on the Road)
Country: USSR
Technical: bw/scope 97m
Director: Aleksei German
Cast: Rolan Bykov, Anatoli Solonitsyn, Oleg Borisov
Synopsis:
During the Second World War a Russian soldier, previously forced into collaboration with the Germans, escapes and joins the partisans but first has to prove his reliability.
Review:
One of a number of films to re-emerge in the mid 80s, having been suppressed for being too challenging. The particular sin of this war film was to suggest that Stalin's policy of automatically shooting POWs on recovery was callous and ignored questions of conscience, treating all soldiers as potential traitors. It also shattered the idea, long upheld, of a united Soviet Union fighting the German devil: here the peasantry would prefer to be left alone by both sides since association with one brings reprisals from the other.
(Proverka na dorogakh/Trial on the Road)
Country: USSR
Technical: bw/scope 97m
Director: Aleksei German
Cast: Rolan Bykov, Anatoli Solonitsyn, Oleg Borisov
Synopsis:
During the Second World War a Russian soldier, previously forced into collaboration with the Germans, escapes and joins the partisans but first has to prove his reliability.
Review:
One of a number of films to re-emerge in the mid 80s, having been suppressed for being too challenging. The particular sin of this war film was to suggest that Stalin's policy of automatically shooting POWs on recovery was callous and ignored questions of conscience, treating all soldiers as potential traitors. It also shattered the idea, long upheld, of a united Soviet Union fighting the German devil: here the peasantry would prefer to be left alone by both sides since association with one brings reprisals from the other.
(Proverka na dorogakh/Trial on the Road)
Country: USSR
Technical: bw/scope 97m
Director: Aleksei German
Cast: Rolan Bykov, Anatoli Solonitsyn, Oleg Borisov
Synopsis:
During the Second World War a Russian soldier, previously forced into collaboration with the Germans, escapes and joins the partisans but first has to prove his reliability.
Review:
One of a number of films to re-emerge in the mid 80s, having been suppressed for being too challenging. The particular sin of this war film was to suggest that Stalin's policy of automatically shooting POWs on recovery was callous and ignored questions of conscience, treating all soldiers as potential traitors. It also shattered the idea, long upheld, of a united Soviet Union fighting the German devil: here the peasantry would prefer to be left alone by both sides since association with one brings reprisals from the other.