Batman (1989)

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Country: US
Technical: col 126m
Director: Tim Burton
Cast: Michael Keaton, Jack Nicholson, Kim Basinger, Michael Gough

Synopsis:

Batman protects Gotham City from the scum of the criminal underworld, but is almost bested by former nemesis The Joker's fiendish plot to poison the water supply.

Review:

Unusually intelligent and sombre stuff for comic strip adventures at the time, with a powerfully insistent score, great sets and special effects, and a formidable comeback performance from Nicholson. Indeed next to Keaton's underplaying it threatens to destabilize the movie. Note: as evidence of the film's sense of style it is apt that despite overwhelming pre-publicity centring on the bat symbol, the opening credit sequence spends four minutes poring over a three-dimensional version of it without the audience becoming aware of the fact until the pull-out reveal.

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Country: US
Technical: col 126m
Director: Tim Burton
Cast: Michael Keaton, Jack Nicholson, Kim Basinger, Michael Gough

Synopsis:

Batman protects Gotham City from the scum of the criminal underworld, but is almost bested by former nemesis The Joker's fiendish plot to poison the water supply.

Review:

Unusually intelligent and sombre stuff for comic strip adventures at the time, with a powerfully insistent score, great sets and special effects, and a formidable comeback performance from Nicholson. Indeed next to Keaton's underplaying it threatens to destabilize the movie. Note: as evidence of the film's sense of style it is apt that despite overwhelming pre-publicity centring on the bat symbol, the opening credit sequence spends four minutes poring over a three-dimensional version of it without the audience becoming aware of the fact until the pull-out reveal.


Country: US
Technical: col 126m
Director: Tim Burton
Cast: Michael Keaton, Jack Nicholson, Kim Basinger, Michael Gough

Synopsis:

Batman protects Gotham City from the scum of the criminal underworld, but is almost bested by former nemesis The Joker's fiendish plot to poison the water supply.

Review:

Unusually intelligent and sombre stuff for comic strip adventures at the time, with a powerfully insistent score, great sets and special effects, and a formidable comeback performance from Nicholson. Indeed next to Keaton's underplaying it threatens to destabilize the movie. Note: as evidence of the film's sense of style it is apt that despite overwhelming pre-publicity centring on the bat symbol, the opening credit sequence spends four minutes poring over a three-dimensional version of it without the audience becoming aware of the fact until the pull-out reveal.